Island album. Sample: "Ba-daa-da-da do-dadley-dadle-dadle! Sample: The "attention all personel" sample used in live shows Taken from: the James Bond movie Diamonds are forever.
The breakdown of noises in the end of Funky Shit which in live shows is played at other occasions as well is from the title music of the film "The Shining". This same sample is used in Crazy Man. This is not a direct sample but Liam played this melody on E-Mu Proteus 3 synth and added one note in the end!
Right after this scene in the movie follows a sound which is played many times at Prodigy gigs, mostly in the end of Smack My Bitch Up. Those intro beats are the same as in Crazy Man.
Sample: Indian female vocal Taken from: it's not actually a sample but the vocalist is the Middle Eastern artist Shahin Badar. Early live version of Smack My Bitch Up contained a different female vocal. The instantly recognisable wah-wah guitar riff that dominates the single originally comes from the song S. S by The Breeders, before the seismic breakbeat kicks in, which is generated with the classic E-mu SP drum machine, and the song takes off.
Howlett at this time was a big fan of the monophonic Korg Prophecy synthesiser and used it on Smack My Bitch Up to provide the main acid-inspired riff — the Prophecy was used on pretty much every track on The Fat Of The Land. He was taken by the level of distortion that the Prophecy could generate and the flexibility of the programming. Breathe is perhaps the most intensely paranoid and disturbing single ever to make it to the top of the charts.
Breathe would continue the trailblazing campaign kickstarted by Firestarter , and pre-release excitement for The Fat Of The Land was at fever pitch. The album, of course, did not disappoint.
It was a diverse and genre-hopping thrill ride for which the three-single salvo had laid the perfect groundwork. The Moog Prodigy was so much admired by Liam Howlett that he appropriated the name. The intense rave energy of the album is perhaps exemplified best in tracks such as Funky Shit with energetic beats and samples a-plenty.
Its sublime if creepy synth line kicks things off before a typical Prodigy beat bursts in, interspersed with electronica and a distorted lead vocal. After a prolonged, dance-able workout, the track breaks down and chanting begins.
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